By Editors of Fine Woodworking
Иллюстрированная книга для любителей деревообработки, работа с ручным фрезером и всем, что с этим связанно. Обзоры материалов, инструментов и технологий, а также идеи для творчества.
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54). Because three sides of each leg will have near equal exposure to the viewer, I cut and surfaced the legs to size, and then selected the least attractive side of each leg to face K e l ly J . Du n t on inward. When laying out the mortises, make sure to place them accurately on all the legs and make sure the leg dimensions are identical; this will keep the table square and stable. Because the lower stretchers end in through-tenons instead of the more common blind tenons, remember to mark both sides of the legs using the same side as a reference edge.
The design is simple, but there are challenging details in matching the grain, shaping the cabriole legs and transition blocks, and creating the uniquely shaped top. The project requires careful machine work and a delicate touch with hand tools. When you’re done, you’ll have a handsome, highly functional piece of furniture. Seek consistent grain for a coherent look Lumber selection and grain orientation are critical details for any furniture project. Using the right grain for individual parts can make the difference between a good piece and a great one.
P o r r i n g e r -t o p t e a ta bl e 49 Prep the leg for corner blocks. Plane the post flush. Use a shoulder plane, referencing off the surface of the apron. Locate the transition block. Clamp the rough stock in place, aligned roughly with the bottom of the apron. Plane the top of the leg to match the block’s height. Remove the blocks and use a bandsaw to cut the curved side profiles on each one. Use chisels and sandpaper to smooth the outer profiles to a fair shape, and then glue the blocks onto the legs and aprons.
Tables and chairs by Editors of Fine Woodworking