By Ted Fuller
The artwork of Woodworking - complex Routing
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Additional resources for Advanced Routing (Art of Woodworking)
Frot11Fine Vtoodutorking around the outline (Septcmber 1993) 10lr++-+- the mortise well at squaring the edges (see the photo at right below), and a chisel with its tip ground to a point nicely cleans up the butterfly's corners. Insetting keys: To inlay the keys, I first number the mortises to match each key I fit the keys tightly to allow for shrinkage; it should take a bit of force to start them. To help, I chamfer the bottom edges so that they will iust ease into the mortises, but I don't drive them into the top just yet.
And they're not all that difficult to make. A small portion of the work is done on the lathe-the foot and the pad beneath it. The rest of the shaping is done with the bandsaw and hand tools. The leg blanks have been milled square and motised by now. Leave the horn at the top (the extra inch that reduces the risk of a split during mortising) to provide waste for chucking on the lathe. Make a full-sizedtemplate of the leg out of thin ply'wood or poster board, and use it to lay out the cabriole curves on the two adjacent inside surfaces of the leg.
Which is a bit lower than what the textbooks say. But for a family, that height is more informal and Design is always a compromise makes the sitters feel relaxed. The height, of course, depends on How a dining table relates to its users is just as important as how it the chairs and whether the table has an apron that will limit leg relates to its surroundings. 26). tiny compromises. For example, when building a table for a famiThe width and shape of a dining table's top also affect seating ly with children, the durabiliry of the finish on the rabletop outaffangement Most chairs are 20 in.
Advanced Routing (Art of Woodworking) by Ted Fuller