By Ronald E. Peterson
The period of Russian Symbolism (1892-1917) has been referred to as the Silver Age of Russian tradition, or even the second one Golden Age. Symbolist authors are one of the maximum Russian authors of this century, and their actions helped to foster some of the most major advances in cultural lifestyles (in poetry, prose, tune, theater, and portray) that has ever been visible there. This booklet is designed to function an advent to Symbolism in Russia, as a circulate, a creative approach, and an international view. the first emphasis is at the background of the move itself. cognizance is dedicated to what the Symbolists wrote, stated, and inspiration, and on how they interacted. during this context, the most actors are the authors of poetry, prose, drama, and feedback, yet area is additionally dedicated to the $64000 connections among literary figures and artists, philosophers, and the intelligentsia generally. This large, special and balanced account of this era will function a customary reference paintings an inspire additional learn between students and scholars of literature.
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Extra info for A History of Russian Symbolism
The influence of Western European trends was strongly felt at this time; Maeterlinck's plays were produced quite frequently on Russian stages; Hauptmann and especially Ibsen began to attract more and more theatergoers and readers. Among Russian authors, Chekhov and Tolstoy were the leading figures. And in 1898, after serious problems with censorship and prolonged financial difficulties, Severnyi Vestnik was forced to cease publication. It was the end of one period for the Symbolists, a time of expectations that began to be fulfilled around the end of 1898 and the start of 1899.
The leader of the World of Art group, the founder of the exhibitions it sponsored, and the editor of the elegant journal that helped to revive Russian culture was Sergey Diaghilev, an art critic, arbiter of taste, and above all an excellent organizer. Diaghilev gathered together a number of important Petersburg artists, many of whom had studied together. They met regularly at his home, discussed trends then current in Russian art, and worked MODERNISM, 1899-1903 39 out the program for their new journal.
The novel was heavily edited and was the subject of a good deal of negative criticism. Sologub was accused of advocating crime and debauchery and of hating humanity. " Obviously a number of Sologub's critics identified him too closely with the fictional characters and events he depicts, but Sologub was interested in presenting a view of life that he had seen first hand and wanted to relate to his readers. " Hippius found the book a "true pleasure" and praised several of the poems in it, calling them beautiful and almost perfect.
A History of Russian Symbolism by Ronald E. Peterson