By Wolfgang Beutin, Klaus Ehlert, Wolfgang Emmerich, Helmut Hoffacker, Bernd Lutz, Volker Meid, Ralf Schnell, Peter Stein, Inge Stephan
Because the visual appeal of the 1st version in 1979, A background of German Literature has verified itself as a vintage paintings and uncomplicated reference resource for these or in touch with German literature.
In this publication, the topic of German literature is handled as a phenomenon firmly rooted within the social and political global from which it has risen. Literary works are assessed in keeping with their relation to the human situation. Social forces and their interrelation with the inventive avant-garde are an organizing subject of this heritage, which strains German literature from its first beginnings within the center a long time to the current day. This most modern variation has been up-to-date to hide the reunification of Germany, and its consequent events.
Readable and stimulating, A background of German Literature makes the literature of the prior as very important and fascinating because the works of the current, and should end up a useful software.
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Extra resources for A History of German Literature: From the Beginnings to the Present Day
Between 1150 and 1170 a group in the Danube lands composed Minne lyrics independently of contact with southern French troubadour poetry (Meinloh von Sevelingen, the Burgrave of Regensburg, Kürnberger, Dietmar von Aist, the Burgrave of Rietenburg). The period from 1170 to 1190 saw a group in the Middle and Upper Rhine with distinct points of contact with the Provençal tradition, but which rapidly developed a body of work in a form of its own. Rudolf von Fenis, Heinrich VI, Bernger von Horheim, Heinrich von Rugge, Bligger von Steinach, Heinrich von Veldeke, Frederic von Hausen, Albrecht von Johansdorf, Hartmann von Aue, Heinrich von Morungen and the classic author Reinmar were major representatives of ‘high Minnesang’.
Classical Minnesang The three outstanding poets of classical or high Minnesang are Friedrich von Hausen, Heinrich von Morungen and Reinmar. Friedrich von Hausen lived in the vicinity of the Emperor Frederic. He was born in the Middle Rhine region and died during the Third Crusade shortly before Barbarossa on 6 May 1190, as a result of a fall from a horse. His poems are permeated with lamentation for the coldness of his adored lady and her unattainability. Ultimately he holds Minne itself responsible for his suffering: Wâfena, wie hât mich minne gelâzen, diu mich betwanc, daz ich lie mîn gemüete An solhen wân, der mich wol mac verwâzen, ez ensî, daz ich genieze ir güete, Von der ich bin alsô dicke âne sin.
Here it is not the immoderation of Minne, but the excess of aventuire that threatens to destroy the ideal courtly balance. Iwein’s appetite for aventuire puts his Minne relationship with Laudine at risk. She has parted from him for a year, but he forgets about her return. When Laudine’s servant Lunete scolds and curses him for this, Iwein breaks down into a state of madness and begins a new life as a hermit. A magical ointment restores him to his senses, and it is his firm intention to restore his honour and win back Laudine’s Minne.
A History of German Literature: From the Beginnings to the Present Day by Wolfgang Beutin, Klaus Ehlert, Wolfgang Emmerich, Helmut Hoffacker, Bernd Lutz, Volker Meid, Ralf Schnell, Peter Stein, Inge Stephan