By Philip H. Highfill, Kalman A. Burnim, Edward A. Langhans
Unlike one another, quantity five is a sociological portrait of commonly little humans of their tragic and comedian efforts to accomplish status at the London level throughout the recovery and eighteenth century, while quantity 6 is dominated by way of the glamour of David Garrick, Nell Gwyn, and Joseph Grimaldi, the distinguished clown. a few 250 portraits individualize the good and small of the theatres of London.
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Additional resources for A Biographical Dictionary of Actors, Volume 5, Eagan to Garrett: Actresses, Musicians, Dancers, Managers, and Other Stage Personnel in London, 1660-1800
Mrs Norma Armstrong for gracious permission to employ information in her invaluable manuscript calendar of eighteenth-century theatrical performances in Edinburgh. Mrs William S. Clark, II for generously giving access to her extensive notes, and to those made by the late Professor William S. Clark, II, concerning the Irish stage in the eighteenth century; and Professor Peter Verdurmen for guidance and assistance in exploiting those and his own notes on the subject. The Library of the University of Cincinnati for access to, and permission to publish from, manuscript notebooks of W.
Eccles was petitioned against by Dr Fisher Littleton for £400 on 9 March 1694, but details of the case have not been discovered. Solomon Eccles was still a member of the King's Musick in 1702. Grove assigns the music for The City Heiress and Venice Preserv'd, both performed at the Dorset Garden Theatre in 1682, to the elder Solomon Eccles, but it is doubtful the older man would have resumed his musical activities at that late date, and, considering his Quakerism, it seems unlikely that he would have engaged in so frivolous an activity as writing music for plays.
She had a sister, Mrs Topple, from Bury St Edmund's, who died in Charlotte Street, Rathbone Place, London, on 25 January 1790, according to The Diary, or Woodfall's Register. A caricature of Mrs Edwards as Macheath, with Mrs Webb as Lucy, was published by Thomas Cornell in 1786. Edwards, Mrs [fl. 17941804], wardrobe keeper. The Covent Garden Theatre accounts for the 179495 season cite a Mrs Edwards who was paid 15s. weekly for working in the wardrobe department. A Mrs Edwards, doubtless the same woman, was assistant wardrobe keeper at the Haymarket Theatre in the summer of 1804.
A Biographical Dictionary of Actors, Volume 5, Eagan to Garrett: Actresses, Musicians, Dancers, Managers, and Other Stage Personnel in London, 1660-1800 by Philip H. Highfill, Kalman A. Burnim, Edward A. Langhans